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12 Month Still Life with Cathy Pearce

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  1. Introduction

    Introduction
  2. Month 1
    Breaking your pastels in half
  3. Mark Making
  4. Month 2
    Dexterity and handling
  5. Month 3 - Pottery
    Introduction
  6. Materials Needed
  7. Exercise 1 and 2
  8. Exercise 3 and 4
  9. Month 4 - Flowers
    Materials Needed
  10. Exercise 1
  11. Exercise 2
  12. Exercise 3
  13. Month 5 - Painting Glass
    Materials Needed
  14. Month 6 - Reflections
    Introduction
  15. Guide
  16. Demo
  17. Month 7 - In The Garden
    Guidance
  18. Video
  19. Month 8 - Sketching With Pastels In The Garden
    Video and Guidance
  20. Month 9 - Choose a Favourite Item to Study
    Guidance
  21. Video
  22. Month 10 - Seasonal dried seed heads and a return to some expressive mark making
    Guidance
  23. Video
  24. Month 11 - Finding an Exciting Composition
    Guidance
  25. Video
  26. Month 12 - Christmas Baubles
    Guidance
  27. Video

You will need a collection of seed heads, your Unison Colour pastels in suitable colours although it really won’t be a problem if you don’t have exactly the same colours as your seed heads just the closest you have. Some smooth papers to show the pastel marks well. I have used the smooth side of Daler Rowney Murano in white and some black Clairefontaine Maya.  Once you have practiced finding beautiful marks and feel confident then you could use come Clairefontaine pastelmat as it holds drawn detail so well. I would, however, avoid highly textured papers as these don’t show off the detail at all well. If you only have textured paper, Ingres or honeycombe then use the smooth side if they have one or work in an A3 sketchbook on cartridge paper.

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