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Elements of a Hare with Cath Inglis
Hare Elements Introduction -
Ears Reference photo and materials
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Ears Demo
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Eye Demo
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Muzzle Reference photo and materials
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Muzzle Demo
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Full Portrait of a Hare with Cath InglisHare Demo - Pastel Choice
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Hare Elements - Stage 1
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Hare Elements - Stage 2
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Hare Elements - Stage 3
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Hare Portrait - Stage 4
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Hare Portrait - Stage 5
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Hare Portrait - Stage 6
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How To Pastel Detailed Feathers, with Sue Kerrigan-HarrisDetailed Feathers - Introduction
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Detailed Feathers - Reference Photo
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Detailed Feathers - Preparation
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Detailed Feathers - Pastel Choices
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Detailed Feathers - Tools
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Detailed Feathers - Part 1 - Background
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Detailed Feathers - Part 2 - Eyes
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Detailed Feathers - Part 3a - Feathers
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Detailed Feathers - Part 3b - Feathers
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Screech Owl with Tracey MarasScreech Owl Reference Photo
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Screech Owl Materials
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Stage 1: Gathering reference materials – The Importance of Research
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Stage 2: Design & Composition
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Stage 3: Underpainting
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Stage 4: Selection of colors
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Stage 5: Blocking in, beginning with the darks
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Stage 6: Building the feathers, working with mid-value colors
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Stage 7: Establishing the background
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Stage 8: Concentrating on the Details - Beak
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Stage 9: Concentrating on the Details – Legs & Feet
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Stage 10: Concentrating on the Details - Eyes
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Stage 11: Concentrating on the Details – Final Highlights
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Screech Owl - Things to Remember
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Gathering Inspiration from the Landscape with Alison BerrettGathering Inspiration - Materials
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Gathering Inspiration - A few tips
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Gathering Inspiration - A short walk [Video]
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Blue Delphiniums with Peter WoodBlue Delphiniums - Materials
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Blue Delphiniums - Finished Artwork
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Blue Delphiniums - Demo
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Abstract Flowers with Judy TateAbstract Flowers - Guide
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Abstract Flowers - Part 1 - Intro
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Abstract Flowers - Part 2 - Underpainting
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Abstract Flowers - Part 3 - Getting started with soft pastels
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Abstract Flowers - Part 4 - Coming together
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Abstract Flowers - Part 5 - Finishing
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Clouds with Grey Set, with Alisa SemonesClouds with Grey Set - Intro
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Clouds with Grey Set - Materials
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Clouds with Grey Set - Hints and tips
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Clouds with Grey Set - Tutorial
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Summer Trees with Steve HallSummer Trees - Introduction
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Summer Trees - Equipment and Preparation
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Summer Trees - Working Practice
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Summer Trees - Stage 1
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Summer Trees - Stage 2
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Summer Trees - Stage 3
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Summer Trees - Stage 4
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Summer Trees - Stage 5
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Summer Trees - Stage 6
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Summer Trees - Stage 7
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Summer Trees - Stage 8
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The Road to Castle Combe with Steve HallThe Road to Castle Combe - Reference Photo
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The Road to Castle Combe - Hints and Tips
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The Road to Castle Combe - Demo
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Summer River Reflections with Robert DuttonSummer River Reflections - Introduction
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Summer River Reflections Video Tutorial
Lesson 34 of 68
In Progress
Stage 10: Concentrating on the Details – Eyes
During the initial blocking-in stage, black was used to establish the placement of eye ring and pupil of each eye. Since the eyes typically are the focal point, I wanted to make sure that they would be crisp and clear. Therefore, I saved the eyes for near the end of the painting process.
The color of this owl’s eyes may be interpreted as yellow, but note that the eye in shadow is not only darker, but also slightly greenish. Grey/green and ochre worked well to push the eye into shadow.