Intermediate Path
-
Elements of a Hare with Cath Inglis
Hare Elements Introduction -
Ears Reference photo and materials
-
Ears Demo
-
Eye Demo
-
Muzzle Reference photo and materials
-
Muzzle Demo
-
Full Portrait of a Hare with Cath InglisHare Demo - Pastel Choice
-
Hare Elements - Stage 1
-
Hare Elements - Stage 2
-
Hare Elements - Stage 3
-
Hare Portrait - Stage 4
-
Hare Portrait - Stage 5
-
Hare Portrait - Stage 6
-
How To Pastel Detailed Feathers, with Sue Kerrigan-HarrisDetailed Feathers - Introduction
-
Detailed Feathers - Reference Photo
-
Detailed Feathers - Preparation
-
Detailed Feathers - Pastel Choices
-
Detailed Feathers - Tools
-
Detailed Feathers - Part 1 - Background
-
Detailed Feathers - Part 2 - Eyes
-
Detailed Feathers - Part 3a - Feathers
-
Detailed Feathers - Part 3b - Feathers
-
Screech Owl with Tracey MarasScreech Owl Reference Photo
-
Screech Owl Materials
-
Stage 1: Gathering reference materials – The Importance of Research
-
Stage 2: Design & Composition
-
Stage 3: Underpainting
-
Stage 4: Selection of colors
-
Stage 5: Blocking in, beginning with the darks
-
Stage 6: Building the feathers, working with mid-value colors
-
Stage 7: Establishing the background
-
Stage 8: Concentrating on the Details - Beak
-
Stage 9: Concentrating on the Details – Legs & Feet
-
Stage 10: Concentrating on the Details - Eyes
-
Stage 11: Concentrating on the Details – Final Highlights
-
Screech Owl - Things to Remember
-
Gathering Inspiration from the Landscape with Alison BerrettGathering Inspiration - Materials
-
Gathering Inspiration - A few tips
-
Gathering Inspiration - A short walk [Video]
-
Blue Delphiniums with Peter WoodBlue Delphiniums - Materials
-
Blue Delphiniums - Finished Artwork
-
Blue Delphiniums - Demo
-
Abstract Flowers with Judy TateAbstract Flowers - Guide
-
Abstract Flowers - Part 1 - Intro
-
Abstract Flowers - Part 2 - Underpainting
-
Abstract Flowers - Part 3 - Getting started with soft pastels
-
Abstract Flowers - Part 4 - Coming together
-
Abstract Flowers - Part 5 - Finishing
-
Clouds with Grey Set, with Alisa SemonesClouds with Grey Set - Intro
-
Clouds with Grey Set - Materials
-
Clouds with Grey Set - Hints and tips
-
Clouds with Grey Set - Tutorial
-
Summer Trees with Steve HallSummer Trees - Introduction
-
Summer Trees - Equipment and Preparation
-
Summer Trees - Working Practice
-
Summer Trees - Stage 1
-
Summer Trees - Stage 2
-
Summer Trees - Stage 3
-
Summer Trees - Stage 4
-
Summer Trees - Stage 5
-
Summer Trees - Stage 6
-
Summer Trees - Stage 7
-
Summer Trees - Stage 8
-
The Road to Castle Combe with Steve HallThe Road to Castle Combe - Reference Photo
-
The Road to Castle Combe - Hints and Tips
-
The Road to Castle Combe - Demo
-
Summer River Reflections with Robert DuttonSummer River Reflections - Introduction
-
Summer River Reflections Video Tutorial
Summer River Reflections – Introduction
The principle aim of this course is to demonstrate the versatility of Unison Colours when combined with other media and to show how Unison Colour can also be used on a different support – not just pastel paper.
To this aim Canson Heritage 300gsm (140lb) ‘hot pressed’ 100% cotton watercolour paper was used. The bespoke size 20 x 22 inches is cut from a full imperial sheet of watercolour paper 22 x 30 inches.
As demonstrated, an under painting using acrylic inks (of mixed brands) on the white watercolour paper, used in an exciting way, allowing the colours to flow and be manipulated from an both an upright and flatter angled easel with freedom expression with control at the same time.
Running flowing intermixed colours which are then layered with beautiful responsive Unison Colour soft pastels create an exciting, engaging painting with a spectacular result!
Unison Colours used: Dark Green 13 Yellow 11 Yellow 10 Green 30 Green 36 Green 10 Additional 33 Additional 43 Green 7 Dark 24 Dark 19 Red 9 Unison colour Fixative |