Back to Course
Beginner's Path
0% Complete
0/0 Steps
-
Before you get started
Studio talk with Maya Clubine -
Pastel Paper with Maya Clubine
-
Making marks with Rebecca de MendonçaLimbering up
-
Broad energetic strokes
-
Smudging and Softening
-
Hatching
-
Twisting and turning
-
Combining techniques
-
Portraiture for Beginner's with Estelle RobinsonWhat makes a good reference photo?
-
Things to remember
-
Eyes
-
Things to Remember
-
Head Position
-
Things to Remember
-
Backgrounds
-
Things to remember
-
Drawing Children
-
Things to remember
-
Creating Texture in Hair
-
Things to remember
-
Seascapes with Tricia TaylorUnderpainting - Part 1
-
Underpainting - Part 2
-
Underpainting - Part 3
-
Wet Sand - Part 1
-
Wet Sand - Part 2
-
Wet Sand - Part 3
-
Wet Sand - Part 4
-
Beginner Wave - Part 1
-
Beginner Wave - Part 2
-
Beginner Wave - Part 3
-
Landscapes with Nina SquireDorset Dunes Colour Chart
-
Dorset Dunes Reference Images
-
Dorset Dunes Part 1
-
Dorset Dunes Part 2
-
Woody Walks Materials and images
-
Woody Walks Part 1
-
Woody Walks Part 2
-
Woody Walks Part 3
-
Woody Walks Part 4
-
Colour Theory with Tricia TaylorMixing Colour - Part 1
-
Mixing Colour - Part 2
-
How not to make mud
-
Creating Optical Illusions With Warm and Cool Colours, with Julie SwanCreating Optical Illusions With Warm and Cool Colours
-
Skies with Sandra OrmeSandra's Notes for Clouds
-
White Cloud Edges
-
Making Grey Clouds Interesting
-
Cloudburst Rain
-
Sandra's Notes for Sunset Skies
-
Sunset Sky - Stage 1
-
Sunset Sky - Stage 2
-
Sunset Sky - Stage 3
-
Boat Tutorial with Julie SwanBoat Tutorial
Lesson 42 of 52
In Progress
How not to make mud
Tricia Taylor shows how to avoid overloading the paper and how to avoid making ‘mud’ when blending colours together.
Paper used:
- Art Spectrum Colour Fix Soft Umber Original
Unison Colour pastels used:
- Blue Green 12
- Blue Violet 11
- Light 6
- Additional 8
- Dark 2
- Additional 30
Small stiff brush